The Elusiveness of War and the Tenuousness of Morality in...

The Elusiveness of War and the Tenuousness of Morality in Tim O’Brien’s â€Å"The Things They Carried,† â€Å"How to Tell a True War Story,† and â€Å"Style† nbsp;nbsp;nbsp;nbsp;nbsp;In the novel The Things They Carried, Tim O’Brien demonstrates how exposure to the atrocities of nations at war leads to the soldiers having skewed perspectives on what is right and wrong, predominantly at times when the purpose of the war itself appears elusive. The ambiguity that consumes the stories of â€Å"The Things They Carried† and â€Å"How to Tell a True War Story† is displayed with irony, for the ‘moral’ of such war stories is that there is no moral at all. O’Brien portrays the character Mitchell Sanders as an observer who seeks the morals to be found through the war†¦show more content†¦Lavender’s death also reaches a point of irony when Sanders claims that the moral to the situation is in fact the immorality of it, saying â€Å"The moral’s pretty obvious. Stay away from drugs. No joke, they’ll ruin your day every time† (20). Sanders is focusing on Lavender’s corr upt ways in order to convey the lesson of his death, and he is ironically doing so as he partakes in those very debauched ways himself. nbsp;nbsp;nbsp;nbsp;nbsp;Similarly to Cross’ approach to dealing with the death of Lavender, Rat Kiley experiences much difficulty and trauma from the death of his friend Curt Lemon and feels partially responsible. Following Lemon’s death, Kiley went into the mountains and â€Å"came across a baby VC water buffalo [†¦]He stepped back and shot it through the right front knee[†¦]Curt Lemon was dead. Rat Kiley had lost his best friend in the world†(78-79). The frustrations of being a soldier in Vietnam and fighting at times for a cause that has no apparent solution causes the men to have questionable judgment. When it comes to upholding the standards they used to abide by when living in a place free of so much animosity and mortality, the soldiers must first overcome the oppressive weight of the war that confuses their moral views. nbsp;nbsp;nbsp;nbsp;nbsp;Moral ambiguity is clear in the short story of â€Å"Style† as Henry Dobbins strongly defends a young girl,